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“HOW YOU DOIN’?! THERE’S SANDWICHES IN THAT ROOM!” “AWOIGHT PETE!” he bellows at me from 50 feet away. The spell is broken for all by the words that resound from Weller’s mouth on the song’s concluding chord. Now the sole survivor of the Jam years, Wheeler is utterly transported by the acoustic reverie being played out by the singer who was still in his teens when he first started working for him. As Weller sings “Aspects” – a song from the first of those records – your gaze is somehow alerted to the sight of Weller’s veteran ex-tour manager Kenny Wheeler. Indeed, these are the names that most readily come to mind when Weller leads his band into the contemplative terrain of his recent albums: 2018’s True Meanings, 2020’s On Sunset and the acclaimed lockdown labours of this year’s Fat Pop Volume 1. Back in 1993, it was Peake’s woodwind ornamentation on the Wild Wood album that underscored comparisons between the resurgent Weller and folk-soul legends such as Terry Callier and Jon Lucien. Within minutes of its famous staccato intro, a combustibly charged rendition of “Shout To The Top” is blown into the blue by a stellar sax solo from Jacko Peake.
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#PAUL WELLER 2021 FULL#
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“The world’s oblique”, rasps a voice that few British ears could mistake. Directions on a text message – right now only Weller’s texting is more prolific than his musical output – won’t be needed. But then again, on an otherwise empty Wimbledon industrial estate in mid-November, there aren’t many competing noises. You can hear Paul Wellerand his band a good few minutes before you see them.